Blame Aunt Henrietta. When you dig into Lee Brice, with its thick grooves, the squalling guitars, the tumbling drums, sheets of steamy B-3 organ and wide open vocals, the two time CMA/ACM/Grammy Song of the Year nominee takes listeners to church, school, home and out on a Saturday night. For a man known for raucous live shows and contemplative songs, there’s a whole lot of gospel driving his fourth album. “My Aunt Henrietta had the groove,” he says. “She could play one note, and pierce your heart. She played the piano, and when she played she was black — and I didn’t know it, or think about it. I was so sheltered, I didn’t understand; it was just church music – and it felt good! It coulda been Ray Charles, too, but it was all over her playing.” It’s all over Brice’s self-titled new record, too, which serves as a homecoming and a homing device on the essence of what’s defined the man whose written hits for Garth Brooks, Tim McGraw, Jason Aldean and the Eli Young Band, who had their breakout single with “Crazy Girl.” There’s a newfound simplicity to tracks like the real life “Songs In The Kitchen,” the soul searching “What Keeps Me Up At Night,” the loving reality check “Boy” and self-recognizing “I Don’t Smoke,” which scrapes Brice’s music to the bone and features guitars by Warren Haynes.